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"… his dynamic playing, stature, strong sound and intellectual approach
     reminds me of the great David Oistrakh.”

                        Fahrettin Kerimov, conductor, Azerbaijan State Artist

"… an excellent violinist with strong technique and a beautiful sound. He feels the music
     deeply and is able to communicate this convincingly to an audience.… a most
     satisfying combination of exciting passion and subtle sensitivity".

                        Philip Setzer, violinist, Emerson String Quartet, U.S.A.

"… thoroughly steeped in experience as soloist and chamber musician … beautiful tone, mature      understanding of repertoire and style, excellent rhythmic sense, and impeccable intonation.
     I admire [his] talent, discipline, and experience.”

                        Bridget-Michaele Reischl, conductor, Green Bay Symphony Orchestra, U.S.A.

"… a violinist and musician of the highest calibre..."

                        Malcolm Layfield, violinist, Goldberg Ensemble & Royal Northern College of Music, England

"… a first class musician with an excellent technique...”

                        Timothy Walker, guitarist, Royal Academy of Music, England

"… superior performing ability and intelligent musicianship …”

                        Pablo Sabat, conductor, National Symphony Orchestra, Peru

"… genuinely excels in each genre. … one of the most versatile and open-minded musicians …
     stellar level of musicianship …”

                        Benjamin Toth, percussion soloist, The Hartt School, U.S.A.

"… a wonderful violinist … incisive technique and passionate temperament…”

                        Robert Carl, composer, The Hartt School, U.S.A.

"… a marvelous musician … a first-rate soloist …”

                        Edward Bolkovac, conductor, The Hartt School, U.S.A.